Dutchman. Amiri Baraka. CHARACTERS. CLAY, twenty‐year‐old Negro. LULA, thirty‐year‐old white woman. RIDERS OF COACH, white and black. The Dutchman and The Slave Community Note includes chapter-by-chapter summary and analysis, character list, theme by Imamu Amiri Baraka, LeRoi Jones. Complete summary of Amiri Baraka’s Dutchman. eNotes plot summaries cover all the significant action of Dutchman.
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His interest in jazz began in this period. Clay makes as if to leave, but Lula coolly, rationally, stabs him dutchmna to the heart. Mar 25, Markdine rated it liked it. He slaps her twice and tells her to leave him alone. I pictured Jones speaking this as his character of Clay likely would.
I would say that I wish I hadn’t, but that’s not quite right; at least I now know how awful they are. His father, Coyt Leverette Jones, worked as a postal supervisor and lift operator. It is dtchman symbolic of integrationist and assimilationist ideologies within the contemporary Civil Rights Movement.
And the only reason it received as much as 2 stars is because it was mildly interesting.
Internet URLs are the best. Lula sits down next to Clay. Thanks for telling us about the problem. The Slave, which was produced off-Broadway the following fall, continues to be the subject of heated critical controversy. Very much like your own.
Dutchman & The Slave
I felt sorry for the young man she had her sights on next, yet I am sure her character and any person who relates to her would never be able to wash away the powerful and fiery put-down she received due to her insolent and stupid presumptions of a race she knew only rumors about. Although Clay says all this, he deeply rejects this plan of action.
Rollen sikrede hende en pris i Cannes. Unfortunately, our editorial approach may not be able to accommodate all contributions. In the closing scene, Lula—by now it’s clear that she’s an agent of the white power structure—proceeds to seek out her next victim.
What Baraka then LeRoi Jones did was scare the pants off everybody. In all, this was shocking brash and avant garde when it was written, but now, it seems to lack the same confrontational impact as it did when it was written or carry the kind of nuance that modern theatre demands.
I did not blame Clay for speaking aloud against Lula, what her world represents, and its false perceptions and views of African Americans in general. Aug 11, Jason Williams rated it really liked it Shelves: Paperback96 pages.
Jul 30, Amy rated it really liked it. Set in a New York City subway car, the play involves Clay, a young, middle-class black man who is approached seductively by Lula, a white fellow passenger. The play, which won an Obie Award.
While the play is violent and disturbing, the content is an excellent source for discussion about race and gender. It takes place during a race war and bombs rage throughout the play. Also, both make the point that sexual relations across racial lines does not increase understanding, nor should it contribute to any sense of authority about the life of the other.
I liked The slave a lot more. Jan 05, Paulina rated it it was amazing. Furthermore, I believe that the whole idea of a militant black war lord hellbent on starting a race war against whites was done much better in Sam Greenlee’s book, The Spook Who Sat By the Door.
This article related to a British film of the s is a stub. Keep Exploring Britannica William Shakespeare. Quintessential moment in the transition from the early to the mid-late Sixties, particularly the public emergence of Black Power.
Dutchman | play by Baraka |
Striking parallels and reversals reaffirm the sense that these two plays are meant to go hand in hand. In Dutchman, Baraka presents to the theater audience a piece that is simple in structure—it features two characters and two scenes in a subway car—yet saturated with complexity and haunting implications.
He is angry, like the Dutcmhan population is angry. Views Read Edit View history. Want to Read saving…. Not only does it have a schizophrenic feel, but it left me and I’m sure others as well at a loss. When this play came out, a black president was science fiction, if not an out and out impossibility. He defends himself against the latter two’s accusations of racism and murder in the name of Black liberation, but their ideologies are beyond reconciliation.
Baraka formerly le roi jones sharply addresses black-white relations in this country through a semi-surreal encounter between a sultry white woman and pseudo-intellectual, black poet futchman a hot new york subway ride.